Whoever finds all three keys earns $1 trillion and total control of the Oasis. Because the possibilities in the Oasis are endless, references to other entertainment properties become the gimmick of “Ready Player One.”īut before the creator of the Oasis died, he hid three keys that can only be found by solving complex puzzles related to his past and completing difficult challenges. Users can spend their days watching old movies in a virtual theater or go on adventures with simulated pop culture icons. The Oasis essentially allows people to be whoever they want and to do whatever they want. “Ready Player One” is set nearly 30 years from now after civilization has drastically declined and the global population has retreated into a virtual reality, video-game world called the Oasis (which at the rate that my friends play Fortnite, does not actually sound too far-fetched). Personally, I think the story contains plenty to love. Spielberg almost perfectly adapts “Ready Player One” to the big screen and guarantees that the only way that you could not enjoy the movie is if you hate action adventures or happen to find something wrong with the central story itself. Fortunately, “Ready Player One” had Steven Spielberg in command to bring a fountainhead of good decisions to the project. Without a clear vision, the main character’s charm, the credibility of the plot and the organization of the visual effects would have all been in danger. As I watched “Ready Player One,” it was glaringly obvious how poorly the movie could have gone in the hands of the wrong director.
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